There are a lot of ways to skin a cat and you probably would like to hear: “We plugged this thing into our turntable and out popped our whole analog collection directly onto our iPod while we were sleeping… naked. Alas, things are not always so simple in this Post-Palin-Speech world...
We had 3 things we needed to accomplish:
- 1. We wanted to backup a medium-sized vinyl collection onto a hard drive.
- 2. We wanted to control the process- we don’t want some software telling us what are pops and clicks and what is musical nuance and we don’t want everything to be owned by Apple.
- 3. MUST HAVE WAV FILES, no more bullcruddy “archiving” in compressed formats- is it really archiving if you didn’t record the whole thing? We have a decent turntable and want the reproduction to be as good as it can be.
This will sound crazy to some of you but we want CD quality sound for our vinyl backups. “Better than” would be nice, but that grail is double the trouble of this process. If you look around, most of those USB turntables and standard iTunes/Windows Media/whutevz make the process of backing up your high end music very low end. And one day iTunes may not exist, so we want an apocalypse-proof storage method... and we are keeping the records- this is NOT spring cleaning.
There are sacrifices to be made in space and simplicity, but sometimes you just can’t listen to a song that is 30% of its original density. Some of you may want your whole collection of music on one device at one time, but when you can listen to fewer songs at a higher resolution, something special happens: You become perfect. Repeat: “I am perfect”; You have to believe it before you can be it.
Now let’s begin.
*edit-To start with, we run the signal from the turntable to a phono preamp(Bellari VP-129) . You have to do this anyway just to play your records, so you should already have the equivalent.* We then plugged that into a device called (predictably) iKey from iKey-Audio. This is a tool designed for getting anything analog into your computer or even directly onto your iPod. It does it without futzing around with sound quality or running the signal through unnecessary hardware... like the low-quality microphone jack on your laptop. It does have the ability to record in mp3 format- at several levels of compression, if you need that. It converts directly to a usb output. And it has a battery pack so you can use it to record live stuff. And it is annoying to use. But it does work.
The biggest problem was with the level dial. Every time you record a record, you have to set the level. Most records were recorded at varying “volumes” over the course of any given song. These days everything is recorded at “10” because everyone wants attention and they don’t care about the journey…digression… sorry… So in order not to eclipse the capabilities of a sensitive input on a recording device, you must set the level to bring the sound and the circuitry it’s traveling through in sync (wicked band).
On the iKey, it’s an actual dial and it gives no indication as to where you are in the spectrum. It occasionally flashes pitifully when you are too high or too low, but its like having a warning light on a landmine.
But how could it know, really? You would have to play the whole record in order for it to know how loudly it was mixed. A lot of trial and error and hopefully knowledge of your music collection will guide you.

Second thing is that there are a whole bunch of LEDs on this thing that serve MANY purposes so it is often difficult to tell what it’s doing- is it recording, or is it ejecting the USB drive? A pain.
The third thing that is a bit of trouble is that once you get the music onto a key drive or some similar, the entire side of the album is registered as one song. Oi. There is also whatever scratching and clunking you recorded onto the beginnings and ends of these from putting the needle down and picking it back up at the end.
Which brings us to part two of the process: The editing software… surely there must be a whole slew of great software out there to do this for you but again, we want control over the process so as to retain as much of the original experience as possible. Audacity, which we've talked about before, gives you that for free. It is a super easy to use software and you will be cutting the crap out of your music with no loss of quality in no time. See below screenshot for the interface and what 'too much cowbell level'(in the red circle) looks like.

We decided to leave the songs intact in the order which god intended. Why? Because you have to extract each song, one at a time, in order to break them up and… what the hay? Why not just listen to the whole side? We can always extract them later. Think of it as a Hot 107 Block Party, all the time. It’s old music anyway, this will just take you deeper into the nostalgia.
Now comes the good part and one that will prolly warrant another post:
iTunes has done a lot of great things, and forced us to put up with a lot of things. In the latter category we have the lack of control over where music can be stored, what format it’s in, and its shoddy mobility from one device to another. You lose one hard drive and you can lose your whole collection. Sucky.
The iPod and iPhone are designed for iTunes and it is designed for them. You can’t even get stereo Bluetooth on an iPhone so… sorry, another topic… You can get uncompressed files to play on an iPod but Apple still wants to organize everything for you… you can have any color you want…
What if there were another software that could be used to manage and play your files on your iPod? One that didn’t monkey around putting “i’s” in front of everything and laughing smugly at the stuffiness of PCs.

That monkey is called Mediamonkey. It basically replaces iTunes and will even sync all your junk onto your iPod. It pretty much will allow you to do anything that Apple has decided will be bad for their music monopoly… that is to say: all the good stuff. It is also free.
In summary: The iKey produces fabulous results with an unfotunate amount of difficulty. Audacity works wonderfully without the paperclip animation- :So... you wanna rip some vinyl?". And Mediamonkey does everything iTunes should, but can't for many different reasons.
Related Links:
How to: Two Ways to Convert Your Vinyl Collection to Digital Formats
How To: Turn Your Vinyl Figure Into Speakers
World's Cheapest 64GB USB Drive
BDDW DIY Audio System
How did you do RIAA equalization? I hope you used a dedicated converter; doing it in software ends up just magnifying noise in the treble.
view johan's profile
Hmmmm....this sounds better than the usb turntable route.
As far as levels go, I assume the levels on a mixer would not correlate with the level on the device? In my simple mind I was hoping that they could be corrected at the source (mixer) and everything would be fine.
I just spoke with someone and they were talking about something similar called an iconnex? or something like that that should be coming out soon?
This has got me motivated to get those decks cleaned up.
Any software that can then be used to mix those burned records?
view art's profile
I hope you used a dedicated converter; doing it in software ends up just magnifying noise in the treble.
Provided you apply the correct RIAA equalization curve (really, de-equalization curve) it doesn't really matter if it's done in hardware or software. Although I suppose in theory a software converter could be cooked up that's a lot more accurate than any reasonably-priced dedicated electronic circuit.
I'm assuming many of these audio editing tools have started to come with such curves as presets.
view sunspot42's profile
Yikes- I just edited in the preamp set up. Its a Bellari, which I am pretty happy with. Tks for the reminder!
view Peter_Unplggd's profile
Kenny Rogers rawks!
view Monica's profile
Software is fine, as long as you sample at a high resolution (not bit rate)- like 24ish.
If you're sampling at 16 bits, you'll do better with a hardware riaa equalizer. Remember that the curve was invented in the days of analog, and was designed to be easy to implement with resistors, caps, and coils.
The thing is that RIAA really amplifies the bass (or, equivalently, tones down the treble), so that to get the intended output, you need to amplify the treble. Which means you'll be amplifying the sampling noise.
view johan's profile